Grayson Haver Currin
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The saxophonist and composer resisted his Japanese American heritage for decades. He now funnels that painful and triumphant personal history into a string of vital records.
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Kurt Wagner's Nashville collective has always been an expression of absolute possibility. The Bible, his best album in a decade, points that instinct at life's most inescapable truth.
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Matt Pike overcame long odds to find success in metal bands Sleep and High on Fire. But his deepening obsession with conspiracy theories has created a dissonant riff.
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An arthritis diagnosis means the latest album by the Bay Area band The Dodos is likely its last. It is a striking reminder of the oft-overlooked physical strains of music careers.
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No, songs addressing climate change aren't new. But the new music that does seems animated less by a sunny streak of mainstream activism, and more by a certain feeling we all seem to be sharing.
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The Austrian electronic-music pioneer uses his laptop to splice, sample and otherwise subvert the sound of his guitar and field recordings, in the process forming crackling electric symphonies.
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Punchlines or saviors, champions or charlatans, leather-gloved posers or earnest bleeding hearts: Deafheaven has become one of its generation's most divisive bands.
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The indie-rock veterans' 11th studio album is a rebuke of President Trump's first year in office.