Tom Huizenga

Max Richter's music seems ready-made for movies – and that's not in any way a put down. The music is powerful on its own, but certain pieces take on new depth when paired with well-designed visuals.

The Women's March and #MeToo movement have helped raise the volume for women's voices across the country. But one place where women still struggle to be heard is in America's symphony halls. Take a look at which composers the top U.S. orchestras are performing in the upcoming season, and you will find some surprising disparities.

Back at the beginning of time, the human voice was the very first instrument. Probably close in second place were folks banging on stuff – in other words, percussionists. The quartet of gentlemen who form the Chicago-based Third Coast Percussion takes primordial pounding into a completely distinctive new league. To be sure, in this Tiny Desk performance, they'll play their sophisticated, modern marimbas and vibraphones, but be on the lookout for the subtleties of tuned cowbells and 3/4" galvanized steel pipes, like those found at the local hardware store.

The myriad stories about Swedish soprano Birgit Nilsson usually fall into two groups: the ones about her enormous, laser-focused voice and those about her rapier-sharp wit.

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