Simon Rentner
For more than 15 years, Simon Rentner has worked as a host, producer, broadcaster, web journalist, and music presenter in New York City. His career gives him the opportunity to cover a wide spectrum of topics including, history, culture, and, most importantly, his true passion of music from faraway places such as Europe, South America, and Africa.
He is the host and producer for The Checkout, which showcases new music “on the other side of jazz” by some of the best artists on this planet including Herbie Hancock, Robert Glasper, Hiatus Kiayote, Hermeto Pascoal, Kamasi Washington, Flying Lotus, Henry Threadgill, Cassandra Wilson, and many others.
Aside from working in media, he is a curator and producer of concerts in New York City at spaces such as The Beacon Theatre, Jazz at Lincoln Center, The Town Hall, Merkin Concert Hall, The (old) Knitting Factory, Le Poisson Rouge, and Bryant Park. Some of the artists he’s presented include Hugh Masekela with Abdullah Ibrahim, The Punch Brothers, Cecil Taylor, Rosanne Cash, and the late Andrew Hill.
In addition to The Checkout, Rentner has hosted and produced content for NPR, PRI, WGBH, and WNYC. He’s won PRINDI awards for his news stories on The WBGO Journal. He’s produced long and short content for Jazz Night in America, Jazz at Lincoln Center Radio (hosted by both Ed Bradley and Wynton Marsalis), Toast of the Nation, Afropop Worldwide, Marketplace, and The Leonard Lopate Show.
His radio shows also feature celebrated voices and minds, not limited to music, such as, Jessica Lange, Ellsworth Kelly, Lee Friedlander, Mark Morris to name a few. He’s also covered the music cultural histories from Colombia, France, Sierra Leone, Mali, Argentina, Madagascar, Venezuela, Peru, Canada, and, naturally, the United States.
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The pianist pioneered bebop-style improvisation at his instrument. His biographer, Peter Pullman, selects five tunes which represent the brilliance of a desperately uncompromising artist. -
Preview some of the artists playing the Montreal International Jazz Festival, a musical grand prix. -
This year marks the centennial anniversary of a composer and bandleader who lacked neither audacity, volume nor controversy. Here are five songs from the man who called his music "progressive jazz." -
Sampled saxophones and cymbals have re-emerged in dance halls, in innovative forms of house music. -
When these cross-continental art forms meet, the result is beautifully rhythmic and dramatic. -
Hear five tango destroyers, each descended from the jazz innovations of Astor Piazzolla. -
The dream of social justice resulted in one of the most creative periods in jazz history. Hear some of the musicians who wielded their instruments in the pursuit of social harmony and change. -
Every successful big band leader featured brilliant soloists, but Duke Ellington spotlighted his men apart from the rest. Ellington specifically targeted his musicians' strengths and accentuated those attributes.
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Locomotives churning across America's vast open landscape provided plenty of fodder for jazz composers in the early 20th century. Railroads symbolized freedom, escape and opportunity for countless musicians, many of whom lived a vagabond lifestyle, always in pursuit of the next gig.
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When George Gershwin wrote "I Got Rhythm" for the 1930s musical Girl Crazy, he created one of the most catchy melodies in American history. But little did he know that his lovable song — apart from becoming a hugely popular jazz standard — would evolve into something far greater.
