Arts and Culture

"You're bouncing off the atmosphere."

Early in director Damien Chazelle's First Man, this is one of the cautions given to Neil Armstrong (Ryan Gosling) during his pilot training, years before he walked on the moon. That idea of the barrier between Earth and space, the violence of making the journey through it and the almost mystical experience of being on the other side of it forms the spine of the film.

Alyssa Edwards (née Justin Dwayne Lee Johnson) is a lot.

She has to be; she's a drag queen. Being a lot comes with the lace-front wig. A drag queen who isn't a lot is no drag queen at all; she's food without flavor, art without color, Cher without Auto-tune. It's the difference, more specifically, between a fierce and fabulous queen like RuPaul and that one jock in high school who slapped on a Halloween store wig and stuffed himself into his girlfriend's cheerleading outfit for school spirit day.

On July 20, 1969, an estimated 530 million people watched on live television as Apollo 11 commander Neil Armstrong became the first human to step upon the surface of the moon. Nearly 50 years later, Academy Award-winning director Damien Chazelle revisits Armstrong's "giant leap for mankind" — but with a more intimate lens. First Man, starring Ryan Gosling, focuses on the personal sacrifices behind Armstrong's monumental step.

The selections were winnowed down from 1,637 books.

On Wednesday, the National Book Foundation announced the 25 books that remain in the running for the National Book Awards, now in its 69th year.

The writers come from such places as Pittsburgh, Norway, Iran and Poland, and many of them have delved into some of the most pressing conversations of our time: racism, masculinity, addiction, the destruction of indigenous culture, class divides and corporations.

And for the first time since the 1980s, the judges will also honor a work in translation.

When writer and poet Lacy M. Johnson was in her 20s, a man who she had recently broken up with kidnapped and raped her.

She wrote about her escape and recovery in the 2014 memoir The Other Side. As she began speaking about the book in public, a pattern emerged: Readers she encountered suggested that Johnson must want her rapist killed, or imprisoned, or tortured.

"You probably want him dead, strangers tell me," Johnson writes in the essay that opens her tour de force follow-up, The Reckonings.

No, Johnson says. She wants a reckoning.