Gabino Iglesias
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Erika T. Wurth's novel belongs to a new wave of horror fiction that delivers the creepiness and darkness readers have always associated with the genre, while also packing plenty of social commentary.
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The Passenger and Stella Maris -- the author's first two books in more than a decade — seem to want to decode the meaning of life, both as standalone novels and together as intertwined works.
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Luda is a magical, multilayered, intoxicating story about identity, stardom, performance, lust, and death that could only have come from the prodigious mind of Grant Morrison.
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Javier Zamora's book, as touching as it is sad, and as full of hope and kindness as it is harrowing, is the kind of narrative that manages to bring a huge debate down to a very personal space.
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Most humans walk around feeling like they know what reality is, but the message at the core of Dr. Guy Leschziner's book is that all sensory information we receive is intrinsically ambiguous.
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Kristen Radtke's Seek You looks at isolation as a problem — and investigates where it comes from, how it shapes us, and why we should battle against it.
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The Demon Dog of Crime Fiction is back, with more boocoo bad business, pervs, prowlers, and putzo politicians than ever in this story of a real-life cop who knew it all (and had the pictures, too).
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Dan Abrams and David Fisher tell a gripping tale that takes readers into the heart of Ruby's trial, picking up the moment he killed Oswald and then methodically unpacking what followed.
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Lilly Dancyger's memories, coupled with her father's art and conversations with his friends, create a map she uses to navigate her past, her childhood and growing up, and her father's life and legacy.
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Elissa Washuta's White Magic is full of magic — and pain — as it deals with trauma while exploring cultural inheritance and the way attacks on Native women never stopped.