Music

Last month, Kendrick Lamar snuck a blink-and-you'll-miss-it breadcrumb in the music video for the song "LOVE." In it, a clapperboard held in front of the camera reads: "B. Panther soundtrack coming soon."

"Triple A" radio has come a long way since its birth in 1990s. The programming format, short for "adult album alternative," was created as to be just that: a different listening option for boomers tired of hit-obsessed commercial radio.

When it comes to reporting on Spotify and the company's strained relationship with songwriters and publishers, it's beginning to sound like a broken ... system. But a possible fix is in.

Just two days before New Year's Eve, the music publishing company Wixen, which manages the compositions of a wide cross section of artists from Neil Young to Rage Against The Machine, filed a lawsuit against Spotify over its failure to properly license those works before making them available to stream.

Robert Mann, a violinist and one of the founders of the Juilliard String Quartet, died on Monday at home in Manhattan. He was 97 years old.

When he was a youngster in Portland, Oregon, Mann dreamed of being a forest ranger. But destiny apparently had other plans for him: instead, he became a legendary musician.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

ARI SHAPIRO, HOST:

Muscle Shoals, Ala., is a small town a couple hours east of Memphis and south of Nashville. Starting in the 1960s, it drew some of the best musicians in the world.

(SOUNDBITE OF SONG, "TELL MAMA")

In the 1970s, William Eggleston shocked the New York art world when the Museum of Modern Art exhibited his color photographs (Until then, most
serious photography had been black and white). Eggleston's pictures of the everyday established color photography and turned him into an art star. At the age of 78, the Memphis native surprised people yet again by releasing his first body of original music last October, an album titled Musik.

The official lineup for this year's Coachella Valley Music and Arts Festival, taking place April 13-15 and 20-22, has arrived.

Every year, each of the eight members of the SFJAZZ Collective is tasked with two writing assignments. The first: Compose a new piece specifically for the band, which gathers some of the most outstanding performers on the modern jazz scene. The second: Rearrange a composition by the elder artist that the Collective has chosen to feature that year. For the 2014-15 season, SFJAZZ is paying tribute to a tenor saxophone titan, a composer of classic tunes and a long-time San Francisco resident: the late Joe Henderson.

Pages