When you're in love, "you just feel good, like you're wrapped in a big coat," says a character in Lover for a Day. Yet there are no big-coat moments in veteran director Philippe Garrel's latest examination of French erotic discontent.
The funniest throwaway moment in Freak Show, an unsteady coming-of-age fantasy, finds Billy Bloom (Alex Lawther), a gay teenager with a penchant for sequins and feather boas, introducing himself to his new classmates at a private school somewhere in the Deep South.
If only all of us could see the world the way Paddington sees London. The furry little bear in a raincoat looks around his adopted home and finds, in the smiling faces of his neighbors, nothing but joyful spirits and good intentions. There are no "no-go zones"; even a prison full of roughnecks can be a chance to help people in need. Forget the fact that he's a talking bear from Darkest Peru. It's Paddington's impenetrable spirit, his striving to do right by the world, to "always see the good in people," even those who wish him harm, that is the biggest wish-fulfillment of 2018.
In 2017, Lena Waithe made history as the first black woman to win an Emmy for outstanding comedy writing. The award specifically recognized Master of None's "Thanksgiving" episode, which Waithe co-wrote with Aziz Ansari and based on her experience coming out to her mother.
There's no kind of anguished desperation that feels quite like the desire to communicate with loved ones who we've lost. It can turn even the most rational person into a believer in the supernatural — to the bereaved, even if there's just a small chance of connecting with a dead friend or family member, isn't it worth the three dollars for the first minute and 99 cents for each additional minute?
Nearly two weeks after Logan Paul posted a YouTube video depicting an apparent suicide victim — and just over a week after he removed it and apologized — the online video platform has announced it is scaling back its relationship with the vlogging star.
Some artists in New York may be wishing to get older faster. A gallery there caters to artists age 60 and older. No kids allowed.
Some 200 artists have exhibited at the Carter Burden Gallery since it opened nine years ago in Chelsea. Business is good, and works sell from $200 to $9,000. It's a lot like hundreds of other galleries in New York — except for one important thing: The Carter Burden has an age limit. Why?
Historian and author Randall Hansen is a lucky man: The title of one of his books is almost exactly the same as another that recently became very, very well-known.
Hansen's book is Fire And Fury: The Allied Bombing Of Germany 1942-1945. The beginning of that title "Fire and Fury" is the same as that of journalist and author Michael Wolff's new exposé about the Trump administration, Fire And Fury: Inside The Trump White House.