Arts and Culture

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

SCOTT SIMON, HOST:

When audience members start taking their seats to see Broadway's Indecent, the actors are already sitting at the back of the stage. Eventually, the lights go down and the performers begin a ghostly dance to klezmer music as bits of ash fall out of their overcoats.

If you're the kind of person who opens the paper in the morning and goes straight to the obituaries, we've got good news for you: There's a new documentary out this week that follows the staff writers of the New York Times obituary desk. It's called Obit.

In a time when most types of government spending are under attack, a few brave souls have stepped up to defend those perpetually endangered hillocks of federally funded refinement, the National Endowments for the Arts and Humanities. The defenders haven't always managed so well.

When Wanuri Kahiu took to the TED Fellows stage this week in Vancouver, the 36-year-old had on green shoes and a beaded necklace worn like a crown — a hint to her offbeat worldview.

In 1966 Bridgewater State Hospital for the Criminally Insane gave filmmaker Frederick Wiseman unprecedented access. Wiseman documented staff at the Massachusetts hospital herding patients, often heavily drugged and naked, through bare rooms and corridors.

The resulting documentary, Titicut Follies, shook up the medium and launched Wiseman's innovative, Oscar-winning career. A ballet adaptation of the film premieres in New York Friday night.

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

AUDIE CORNISH, HOST:

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

ARI SHAPIRO, HOST:

It was supposed to be an exclusive luxury music festival on a tropical island. Instead it became a target of ridicule and a social media feeding frenzy.

AUDIE CORNISH, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

The Circle, the film based on the novel by Dave Eggers, presents a dystopian view of the direction Silicon Valley is taking the world. And, as a longtime Silicon Valley correspondent, I have to say there is a lot that this comic and spooky film gets right.

Pages