Nate Chinen

What makes a first-tier jazz legacy? A signature instrumental style, recognizable within a phrase or two. A body of exceptional recordings, in the studio and in concert. A legion of imitators, great and small. A sense of broad cultural relevance. Maybe even a hit song or two.

Earlier this week, an array of news outlets in New York City reported a macabre discovery: The body of a 53-year-old man was found floating in a Queens marina, fully clothed, with chains wrapped around his legs. The body was noticed by a passerby along the shoreline of the World's Fair Marina in Flushing Harbor, near Citi Field, around 9:15 a.m. Tuesday.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify and Apple playlists at the bottom of the page.

Wayne Shorter likes to tell a story about going to see Charlie Parker, the mercurial titan of bebop, sometime around 1951. Shorter was 18 at the time — a saxophonist, like Parker, and a bop obsessive already gigging around his hometown of Newark, N.J. He headed across the river into Manhattan, where Parker, colloquially known as Bird, was headlining at Birdland, the club named in Parker's honor.

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